Tomorrow is Candlemas: the midpoint of winter, halfway between the solstice and the equinox, in cultures unspoiled by scientifically rational astronomy the first day of spring, and in much of Western Europe traditionally the day to break ground for the first of the year’s crops. Pagans had astronomy plenty to mark the day, often (plausibly, to celebrate the returning of the light) with fire. The Catholic Church, as it so often did, co-opted the festival for its own purposes, using the day to celebrate the purification of Mary forty days after giving birth to Jesus, the light of the world. And so Catholics brought their candles to the church to have them blessed, whereupon the candles became talismans that could be lit during storms or times of trouble, as an old English poem observed: Read on

I was intrigued by this article in today’s New York Times about “Mormon cuisine,” not because (as is the point of the article) it’s changing (what cuisine isn’t?) but because I had trouble seeing what was uniquely Mormon about any of it. Read on

My daughter, who is eight, tells me that her favorite Christmas carol is “Riu, Riu Chiu,” a half-millenium-old Spanish song about the perfection of the Virgin Mary and the birth of Jesus. With vivid lyrics about furious wolves and innocent lambs, accompanied by whatever handheld percussion happens to be available, it at once explains the theology of both the incarnation and the immaculate conception (centuries before even the Catholic Church accepted the latter) and gets everyone off their feet to dance and spin — if, hearing it today, they dare dance to a Christmas carol. An eight year-old dares, because she happily doesn’t see the contradiction between devotion and dancing. And I’m realizing that she’s right. Read on

A couple of weeks ago I spent my first day volunteering as a costumed museum interpreter, which is not something I ever saw myself doing. I’d worked with the site director and staff before, and figured that, as an out-of-work historian, I’d see if I could help them out in any way — doing a little research or leading a few tours, I thought, but when they found out that I build furniture with hand tools, the next thing I knew I was being fitted for 1870s clothes. And so there I was on a ninety-degree North Carolina June Saturday outside a nineteenth-century farmhouse demonstrating “traditional” woodworking. Read on

I have been building a tool carrier this week, a wooden box with splayed sides and a handle like every carpenter had a hundred years ago, long enough for my hand saws and my jointer plane, designed for easy carrying. This was supposed to be a simple project, which was my first mistake — but I’ll get to that later, in another post, after I’ve finished the thing. In addition to being more complicated than I realized it has turned out to be more work than I’d expected, for a couple of reasons. Read on