Every Wednesday, as part of our homeschool curriculum, I read a poem with my daughter. We talk about what it means and whether we like it (and why). Sometimes we analyze it. Then she responds by drawing or painting.
Last week I had intended to read G. K. Chesterton’s “For a War Memorial” in observance of Veteran’s Day and the Feast of St. Martin. But it was the day after the election, and she was upset and worried. So we read, instead, a couple of Wendell Berry’s “mad farmer” poems: “The Mad Farmer Revolution” and “Manifesto: The Mad Farmer Liberation Front.”
I was determined that I was not going to stand up here and talk about sheep, but in thinking about today’s readings I kept being pulled back to the image of them—the shepherd, the flock, the pasture, the sheep. I have to admit I’m just not crazy about that image. It isn’t that I don’t like sheep. I do like sheep. I’ve toyed with the idea of having sheep some day. They’re relatively easy to manage, and they’re good for multiple purposes throughout their life cycles: they give wool, they give meat, some breeds even give milk. They can live off of relatively poor land. They can be integrated fairly easily into a multi-purpose farm and a household economy. And lambing season, if you don’t mind being kept up at night, is a glorious thing. Wendell Berry, one of a dwindling number of literal “good shepherds” the western world has left in this age of industrialized agriculture who also gives us his own eloquent descriptions of the experience, has this to say about keeping sheep:
The old shepherd comes to another
lambing time, and he gives thanks.
He has longed ever more strongly
as the weeks and months went by
for the new lives the ewes have carried
in their bellies through the winter cold.
Now in the gray mornings of barely
spring he goes to see at last
what the night has revealed. 1
Berry is a Christian, which I think shows through pretty clearly in his poetry—not that he is actively trying to convert anyone, but that he never strays very far from the image of rebirth. The care he takes for his sheep is the sort of care we’d want from our own Good Shepherd, but Berry’s is a very human shepherd—a humble one, who “gives thanks” for a lambing time that he, far from controlling in the manner of an industrial foreman or a software engineer, takes as a holy mystery. Continue reading “The Lord is not a shepherd”→
Wendell Berry, “VI” (2011), This Day: Collected and New Sabbath Poems (Counterpoint, 2013), p.365. ↵
Despite preemptive school closings and dire warnings of Black Ice, only a dusting of snow fell here last night — not even enough to cover the ground. A good snow, glistening contentedly in the morning sun, reflecting the clean clear blue sky after the cold front, hides the mess we’ve made of the world and gives the illusion of purity, a new beginning — “a revolution of snow,” as Billy Collins writes:
its white flag waving over everything,
the landscape vanished…
the government buildings smothered,
schools and libraries buried, the post office lost
under the noiseless drift,
the paths of trains softly blocked,
the world fallen under this falling.
Damn you, sirs! My vote is not my voice!
—He cried in futile fury at his email—
As if for quadrennia I silent slumbered
And woke to make myself a number!
A vote is a mere puny choice
Of wan capitulations offered retail:
But my voice is the howl of the lonely wind
Failing to sway the barren trees;
The echo of a squirrel’s endless chatter,
The dove’s meek coo, the storm’s great clatter,
And the hum of a thousand angry bees
That dance in the air with a single mind.
My voice is the song of a crosscut saw,
The crash of canopies rent and torn,
And the requiem for a single leaf that falls
Alighting soundless on the forest floor.
My voice is the horn that blaring saves
The sinking ship from the roaring waves!
The laughter of children in spring-clad sun
And the sigh of a dandelion scattering its seeds!
My voice is the voice — the voice — the voice of a man who needs
A good stiff drink. —And so he had one.
A carpet of decay, as finely woven
As any ancient treasure dearly bought,
And lovelier for being more ephemeral:
All the artisans of Kublai Khan
In all the workshops of a mythic continent
Could not invent geometry so fair
As seven fallen oak leaves. Yet no one sees,
So none stand guard to make me wipe my feet
Before I walk on it.
Summer is a most untidy guest,
A vacation rental every landlord dreads:
Crumbs all over the floor, attracting pests,
Insects and mice of which we can’t be rid
Without some icy extermination. Look
At all this filth! This vile disgusting mixture
Of excrement and dirt in every nook.
Cobwebs stringing sticky from the fixtures.
And the clutter! The crap he collects, like some fanatic–
Pine cones, bird bones, leaves in piles ascend
Like unread magazines all stuffed in attics
Of trees. And at the season’s withered end
He packs his bag, drives off, skips the scene,
Leaves no forwarding address. Expects the chill
Wind and rain of autumn to sweep it clean.
I shouldn’t have to put up with this. Still–
Without him, it’d be awfully quiet round here.
I guess we’ll have him back again next year.
Last Monday was my daughter’s birthday, and the Birthday Troll came again this year, in the night, to steal her presents, hide them in the woods, and leave riddles as clues to their whereabouts. He’s like Santa Claus for curmudgeons, and considerably more entertaining, not to mention one isn’t bound by the Byzantine mythology of popular culture and corporate marketing. The riddles are after the fashion of old English rhyming riddles, like the ones Bilbo Baggins traded with Gollum in the slimy dark under the Misty Mountains, and so I spend half of August looking at the stuff in my yard and woods through the eyes of a grumpy itinerant poet with a twisted sense of humor1 and trying to find metaphor, simile, pun, any sort of literary device to obfuscate the quotidian.2Continue reading “Cheap poetry: A manifesto”→
As opposed to my usual eyes. I admit it isn’t much of a stretch. ↵
“Obfuscate the quotidian” being an example of the thing to which it refers. Is there a term for that? It’s like onomatopoeia, only different. ↵