Pink slime: Or, the whole scrapple

My main thought on all this horror over “pink slime” is that it doesn’t sound any worse than any food-like product I’d expect to come out of a factory. I mean, what do you expect? The goal of the U.S. food industry is to produce substances that are chemically compatible with the maintenance of human life and that are aesthetically and culturally palatable to American consumers, all at the greatest possible margin of profit. Pink slime, duly flavored with extracts, shaped into a patty, topped with half the contents of the refrigerator and eaten by a model with juice dribbling down her chin, pretty much nails it.

But I get tired of reading only people I agree with, so I went looking for contrary arguments.

the solar woodshop: a visual explanation

The solar woodshop, explained

These days it’s all green this and renewable that, solar houses and electric cars and trains that run on cow farts. Well, look, my woodshop runs on solar energy, too. My daughter drew this diagram to show you all how it works:

the solar woodshop: a visual explanation

I admit I do run a fluorescent light and a radio. But otherwise it’s just the sun, grass, cows, and me. Ain’t no energy greener than hand power, friends.

Ignorance is fear: or, “it’s gross” is not an argument

A former “food industry insider” named Bruce Bradley has started a blog to tell the world about all the terrible things the food industry does. In his most recent post, he lists some of the disgusting things that industry passes off as natural products. “Unfortunately,” he writes, “big food companies have cast a spell over most regulators that allows them to manipulate us with advertising, make deceptive claims, and mislead us with ingredient labels.”

I appreciate the effort to speak truth to powerless, but here’s the problem: Three of the five things he lists have been commonly used for centuries or, in some cases, millennia. Not only are they, in fact, natural; they’re traditional and originally handmade.

Old timey

A couple of weeks ago I spent my first day volunteering as a costumed museum interpreter, which is not something I ever saw myself doing. I’d worked with the site director and staff before, and figured that, as an out-of-work historian, I’d see if I could help them out in any way — doing a little research or leading a few tours, I thought, but when they found out that I build furniture with hand tools, the next thing I knew I was being fitted for 1870s clothes. And so there I was on a ninety-degree North Carolina June Saturday outside a nineteenth-century farmhouse demonstrating “traditional” woodworking.